★★★★★
This movie was absolutely phenomenal. Not many films can keep up the pacing and keep an audience entranced for 3 hours but Christopher Nolan did just that. The interwoven timelines seamlessly brought the story from Oppenheimer’s time as a student through to receiving the Enrico Fermi award. So many fascinating tidbits about Oppenheimer’s time as a student made it into the film, and there were nods to many well-known moments in his life.
I don’t think this film could have been anything less than 3 hours, Nolan brought in elements that made the story more enticing while grappling with the scientific genius and the immoral destroyer of a man. It was a tough line to toe but Cillian Murphy was up to the task and played the role brilliantly. The cast was star studded but not without reason, every face played their time with the camera even with some major actors have little to no lines or screen time.
The soundtrack by Ludwig Göransson is what truly made the movie shine, this film could not have been the directorial masterpiece that it is without that musical genius. The times when Nolan made the directorial choice for silence vs explosion were well-thought out and so appreciated. It’s all in the details.
However, Nolan missed the mark in two areas. The Hispanic community in New Mexico, specifically in and around Los Alamos, was not mentioned. When in truth families and the entire community was ran out of town when the military and Oppenheimer’s scientists came in to build the laboratory in the “desolate desert of New Mexico.” There were people whose lives were uprooted and who suffered from the nuclear weapons tests, and they should have been acknowledged in the film.
Also, the film, while honing in on the scientific mastery of Oppenheimer and the following investigation into his background, shows Oppenheimer grappling with the idea of blood on his hands but doesn’t show the audience. There are moments when the audience feels the horrors and understands the horrifying reality that has just occurred. But that’s assuming the audience has known, background, and understanding of nuclear weapons. Which, as an international affairs scholar, I cannot assume every other viewer has the same background as I do. The film shows an artistic rendering of these horrors, makes mentions of radiation and body counts, but fails to show the audience a glimpse at the true horrors that atomic bombs leave behind. There is a worried that such an epic film showing the ashonishing feat of science won’t leave the viewer with the necessary feeling of deterance, especially in the current nuclear age. We are now closest to midnight on the doomsday clock (courtesy of the Bulletin of Atomic Scientists, depicting how close we are to total nuclear annihilation) than ever before, 90 seconds to midnight. Midnight being nuclear annihilation.
Overall, the film astounded me and I am thrilled so many folks are out to see it this weekend and this month. This type of film wouldn’t typically bring a large crowd as it’s more niche, but the fortuitous release alongside Barbie has brought many more folks to the cinema.